The Hole
This show, Still Life, includes a variety of the artist’s signature imagery from bowls of lumpy lemons to a disheveled chest of drawers. No humans are present in the exhibition as each work is a new take on the still life genre, but also perhaps because these works were all made during COVID quarantine where the artist was alone. We are all starting to emerge from our isolation: is this still life?
through August 23, 2020
Lehmann Maupin
Magical Variations features nine new works by New York-based artist Tony Oursler that combine painting, drawing, printing, and collage with embedded video components. This series continues Oursler’s decades-long investigation into the lasting effect technology has on humanity and his exploration of the boundaries between technology, nature, and culture.
through August 7, 2020
P·P·O·W Gallery
Noplace, a physical and virtual exhibition curated by Eden Deering, which brings together artists whose practices connect in their collective utopian pursuit, their make-believe places reflecting the ills of our society, while simultaneously communicating alternative ways to exist in this world.
through August 14, 2020
DC Moore Gallery
Valerie Jaudon’s recent paintings continue her longstanding examination, begun in the mid-1970s, of the bounded, yet infinitely expandable world of the finely wrought, intricate, and maze-like abstract image.
through October 3, 2020
Pace Gallery
Cruising Utopia brings together a selection of 20 photographs—both iconic and seldom seen—that Hujar took between 1966 and 1985, in a love letter to his city and to his community of artists and performers, poets and writers, strangers, lovers and friends.
through July 14, 2020
Artist Survey
Q: Can you describe your studio space?
A: My studio is in Los Angeles and it's a hybrid maker space with some sculpting and woodworking tools as well as gaming computers and a Virtual Reality setup. I am thinking of starting to host some exhibition and performance programming to open the space to a wider public.
David Zwirner
Staged by the artist on the rooftop of his studio in Brooklyn, High As Fuck is an open-air exhibition that is, by default, only accessible online by a homebound audience. The show features a new series of paintings of empty streetscapes.
Lyons Wier Gallery
“Sign of the Times" takes its name from Valeri Larko's intimate paintings of billboards in and around the Bronx, New York. The title also refers to the strange era of planetary and political upheaval in which we currently live.
through April 25, 2020
Galerie Lelong & Co.
Known for her richly colored paintings built with layers of monochromatic enamel, Shepherd here charts new territory in her decades-long exploration of perspectival space. Chief among Shepherd’s concerns in these works is their relationship to their environs; the various reflective surfaces establish a spatial discourse across the panel, the viewer, and the gallery space.
through April 18, 2020
Kasmin Gallery
The exhibition will trace this central period through key paintings from multiple series and a corresponding presentation of photographic, publishing, and research materials drawn from the archives of the William N. Copley Estate.
through April 22, 2020
Artist Survey
Q: What emotions are you channeling into your art? A: I come from a family of generations of immigrants, and being the first member in the Americas no doubt images of boats and inflatables immediately remind me of the trials and tribulations of immigrants and refugees. But I deliberately stay away from negative elements in my art. Having experienced my share of tragedies in life, and as someone with depressive tendencies, I think at least my paintings should express some joy or positivity.
MoMA
One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods, and display went beyond the set of existing terms in mid-century New York.
through July 11, 2020
Pace Gallery
Painted in Mexico and Montauk, Julian Schnabel's latest large-scale works embrace the irregular shapes of their supports—fabric tarps sourced from an ambulatory market in Mexico.
through Apr 18, 2020
Gladstone 64
Expanding her unique visual language of pantyhose, stuffing, and chairs, to include concrete, bronze, and steel, that Lucas has employed since her rise to international prominence in the mid-nineties, the works in this show demonstrate the artist’s powerful ability to transform utilitarian materials into conceptually complex objects that pose urgent questions about gender, sexuality, and identity.
through April 25, 2020
Yossi Milo Gallery
Since 2007 she has gathered over two thousand packages of paper dating from the 19th and 20th centuries, many of which have an expiration date stamped on the product box or envelope as a marker of quality assurance backed by the manufacturer.
through May 2, 2020
Lehmann Maupin
Pittman continues to address the histories of identity, violence, class, and human nature through the polemicized lens of decoration, decor, and the decorative embodied in the memento mori and other forms of commemoration.
through April 25, 2020
