Julian Schnabel
“The Patch of Blue the Prisoner Calls the Sky”
New York, 540 West 25th Street
These works catalogue the possibilities of how and what to paint, revealing a new way of looking at the world that blurs the line between representation and configuration. As Nares explains, “These paintings represent the evidence of their own autonomy. They are metaphoric in an open way, not to interpretation as image but as underlying principles and facets of nature.”
Weather-beaten fabrics provide a temporal point of departure. “Julian is drawn to surfaces and objects that show their own history—scuffed-up cardboard, the discarded sails of sailing ships, Kabuki theater backdrops…he thinks of them as ‘opportunities’—calls them ‘veils of time.’”
Painted with marks Nares refers to as “a kind of mapping of the mind,” the works evoke volcanoes, rock formations, ocean waves, deserts, outer space, all rendered in emotive indigo blues, blood reds, pale pinks and olive greens– eternity. Once a utilitarian object, the fabric ground contains traces of its past life and the perfection of the coincidental opening a window into both our world and one imagined in dense paint. “The paintings are full of dynamic surprises….Small fire, a prism, and a window-like opening in a place with no wall, blue sky beyond…”
