Luhring Augustine

In his oil on canvas paintings, the German artist Johannes Kahrs interprets mass media and visual culture in a highly intimate, personal, and subliminal fashion, while stripping the original content from its formal narrative and visual form.

until April 22, 2017

Tina Kim Gallery

Chung Seoyoung is a relatively new name for New York gallery goers, although the South Korean artist has been a household name in her hometown for decades.

until April 15, 2017

Metro Pictures

Considered among the most intriguing contemporary painters, Sanya Kantarovsky puts on his curatorial hat for a group exhibition at Metro Pictures, bringing together a group of intergenerational painters under a riveting concept.

until April 22, 2017

Lehman Maupin

Miami-born and New York-based artist delivers equally elegant and conceptually concise reflections of her grand scale public works in her gallery exhibitions.

until May 20, 2017

The Jewish Museum

“We have bears, we have dogs, cats, and I like these spirits working with me. Also, I found problems with visual arts and sound arts: it's cold, self-analytical, without soul. It's for that reason that many people interested in minimal music tell me that I'm a crazy guy going around with my stuffed animals… but these animals have a real presence! When you are a child, the reason you are given these animals is because it's the child's first contact with some kind of a spirit that will be part of the real world and it's a question of trust and contact.” — Charlemagne Palestine

until August 6, 2017

Galerie Lelong

Jane Hammond, returning to Galerie Lelong, New York following her 2011 exhibition, introduces three new bodies of work, including 3-D drawings, paintings, and black and white photographs.

until April 22, 2017

The Met Breuer

“Hartley had a wonderfully rich, but complicated, and sometimes contradictory relationship with Maine, and I think that’s an experience that so many people can identify with, especially if you are from one place and you leave it, and then you try to come back. One of the key threads in this show is what happens upon return.” — Randall Griffey

until June 18, 2017

Paul Kasmin Gallery

“The aesthetics I am most interested in is the one that remains to be discovered, the one whose meaning needs still to be formulated: all these objects or phenomena that I am not yet sensitive to, that surround me without my even taking notice; objects or events that remain foreign to me, to which I am deaf or blind, like those people who pass by an Ad Reinhardt without feeling its charge. The aesthetic sense allows me to move to another level of perception.” — Bernar Venet

until April 22, 2017

Gladstone 64

“Like Andy Warhol, he was fascinated by Marilyn Monroe and Elvis. Unlike his American counterpart, however, he relished the physical processes of making art, creating so-called décollages by tearing layers of film posters stuck on canvas to recreate the appearance of peeling billboards. Nothing could evoke more potently the ephemeral glamour of the modern city.” — Mimmo Rotella

until April 15, 2017

JTT

“I’m trying to talk about emotions that I don’t know how to talk about, so they’re not specific locations. I couldn’t map out a chart like acupuncture. They’re much more intuitive than that for me. A lot of times the relationship to that is their relation- ship to an architectural piece or something—architecture and hauntings are very much a part of [it]. I guess I’m thinking about how emotions haunt bodies, and then bodily emotions haunt houses and rooms and furniture.” — Dan Herschlein

until April 9, 2017

Lisson Gallery

Coinciding with the launch of London-based Lisson Gallery’s second space in New York is Haroon Mirza’s New York solo gallery debut that furthers his experiments with the sound and light as social vessels.

until April 1, 2017