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Bruce Nauman has spent half a century inventing forms to convey both the moral hazards and the thrill of being alive. Employing a tremendous range of materials and working methods, he reveals how mutable experiences of time, space, movement, and language provide an unstable foundation for understanding our place in the world.
Disappearing Acts traces what Nauman has called “withdrawal as an art form”—both literal and figurative incidents of removal, deflection, and concealment. Bodies are fragmented, centers are left empty, voices emanate from hidden speakers, and the artist sculpts himself in absentia, appearing only as negative space. The retrospective charts these forms of omission and loss across media and throughout the decades, following Nauman as he circles back to earlier concerns with new urgency.