Jaeckel Gallery
Piers Secunda’s ISIS Bullet Hole Paintings introduces a series of sculptures that merge molds of bullet holes he painstakingly gathered from cities under ISIS attack and forms of ancient Greek and Assyrian artworks.
until May 6, 2017
Jaeckel Gallery
Piers Secunda’s ISIS Bullet Hole Paintings introduces a series of sculptures that merge molds of bullet holes he painstakingly gathered from cities under ISIS attack and forms of ancient Greek and Assyrian artworks.
until May 6, 2017
Lehmann Maupin
Known for his pristine, yet tongue-in-cheek sculptures that defy the hierarchal systems in art history, the Austrian artist Erwin Wurm celebrates the twentieth anniversary of his One Minute Sculptures series with an exhibition.
until May 26, 2017
DC Moore Gallery
Bayou Fever & Related Works offers an alternative perspective on Bearden’s body of work, bringing together twenty-one collages he made in 1979 for a ballet that would be choreographed by Alvin Alley.
until April 29, 2017
Paula Cooper Gallery
Evan Holloway returns New York with his first exhibition at Paula Cooper Gallery. The California native is known for his whimsical approach to sculpture in which he combines traditional Modernist materials with everyday and disposable objects.
until April 22, 2017
Daniel Cooney Fine Art
Read our interview with Paris-based artist and cinematographer Benoit Delhomme about his current exhibition, his balance between painting and cinematography, and other film makers like David Lynch and Federico Fellini who also transferred their creative visions onto canvas.
until May 6, 2017
Tanya Bonakdar Gallery
Sky is the limit for Olafur Eliasson, the Danish artist who has installed massive scale public artworks around the globe with enormous budgets, orchestrating a composition of artistic spirit and technical precision.
until April 22, 2017
MOMA
From the rise of conservative rhetoric to intolerance directed at different racial, religious or ideological groups, this tumult has impacted the art world as much as it has inspired towards more politically-engaged art.
until July 30, 2017
Luhring Augustine
In his oil on canvas paintings, the German artist Johannes Kahrs interprets mass media and visual culture in a highly intimate, personal, and subliminal fashion, while stripping the original content from its formal narrative and visual form.
until April 22, 2017
Tina Kim Gallery
Chung Seoyoung is a relatively new name for New York gallery goers, although the South Korean artist has been a household name in her hometown for decades.
until April 15, 2017
Metro Pictures
New York-based Swiss artist Olaf Breuning's recent work consists of hand-painted ceramic sculptures exhibited alongside black ink and white paper drawings. Our editor Yasemin Vargi interviewed the artist about his recent solo exhibition.
until April 15, 2017
Jack Shainman Gallery
Cuban-born and Los Angeles-based artist Enrique Martinez Celaya returns New York for his second solo exhibition with Jack Shainman Gallery. Our editor Osman Can Yerebakan interviewed the artist about The Gypsy Camp.
until April 22, 2017
Metro Pictures
Considered among the most intriguing contemporary painters, Sanya Kantarovsky puts on his curatorial hat for a group exhibition at Metro Pictures, bringing together a group of intergenerational painters under a riveting concept.
until April 22, 2017
Lehman Maupin
Miami-born and New York-based artist delivers equally elegant and conceptually concise reflections of her grand scale public works in her gallery exhibitions.
until May 20, 2017
The Jewish Museum
“We have bears, we have dogs, cats, and I like these spirits working with me. Also, I found problems with visual arts and sound arts: it's cold, self-analytical, without soul. It's for that reason that many people interested in minimal music tell me that I'm a crazy guy going around with my stuffed animals… but these animals have a real presence! When you are a child, the reason you are given these animals is because it's the child's first contact with some kind of a spirit that will be part of the real world and it's a question of trust and contact.” — Charlemagne Palestine
until August 6, 2017
Galerie Lelong
Jane Hammond, returning to Galerie Lelong, New York following her 2011 exhibition, introduces three new bodies of work, including 3-D drawings, paintings, and black and white photographs.
until April 22, 2017
The Met Breuer
“Hartley had a wonderfully rich, but complicated, and sometimes contradictory relationship with Maine, and I think that’s an experience that so many people can identify with, especially if you are from one place and you leave it, and then you try to come back. One of the key threads in this show is what happens upon return.” — Randall Griffey
until June 18, 2017