Nona Faustine

Baxter St

“The title of the show My Country purposely feels like a pause, an ellipse, a breath, meant to be followed by whatever the viewer chooses to think…”

until January 14, 2017

May Wilson

Pavel Zoubok Gallery

Wilson’s ample oeuvre, commenting on over-sexualized, dehumanized and commodified woman body, contains elements from various genres that still heavily dominate contemporary art practice.

until January 14, 2017

Michelle Grabner

James Cohan Gallery

The Milwaukee and Chicago-based artist blends Minimalist techniques into mundane materials in her geometrically precise works.

until January 28, 2017

Anthony Caro

Mitchell-Innes & Nash

One of the most influential names in modern sculpture, the British artist Anthony Caro is commemorated with two concurrent exhibitions in New York, following his passing in 2013

until February 4, 2017

Francis Picabia

MOMA
“One day I was showing the sea to a girl who was seeing it for the first time; she declared that she thought a field of potatoes was a far more impressive sight.”—Francis Picabia, Yes No: Poems & Sayings

until March 19, 2017

Sylvain Couzinet-Jacques

Aperture Foundation

The ideas of home, belonging, and displacement are at the core of the artist’s investigative project, for which she invited a group of fellow artists to this building called the Little Red Schoolhouse.

untill January 19, 2017

MPA

Whitney Museum of American Art

“Looking at Mars, this imagined space, reflects most humans back to Earth.”—MPA

Andreas Gursky

Gagosian Gallery

German artist Andreas Gursky, known to hold the highest auction result for any living photographer, dissects the raison d’être of photography, depicting realities embedded in unrealistic settings.

Brandon Lattu

Koenig & Clinton

In his multifaceted body of work that investigates prevailing modes of representation in contemporary art, Our November cover artist Brandon Lattu questions the dynamics between the work and the audience.

Carol Bove

David Zwirner

“Her primary focus, as well as an abiding feel for form and placement, seems to be display: how things are presented to us, as offerings, gifts, rituals of animal attraction. Looking at art, we often forget that we are animals too.”

 

James Hoff

Callicoon Fine Arts

Capturing these cellular-free landscapes employing a method traditionally used for making circuit boards, Hoff, whose previous works included experiments with computer viruses or jammed printers, both scrutinizes and celebrates rituals of communication—and blockage.

Paulina Olowska

Metro Pictures

Wisteria, Mysteria, Hysteria at Metro Pictures will be followed by a performance series titled Performances at The Kitchen in January in collaboration with composer Sergei Tcherepnin.