Aperture Foundation

The ideas of home, belonging, and displacement are at the core of the artist’s investigative project, for which she invited a group of fellow artists to this building called the Little Red Schoolhouse.

untill January 19, 2017

Whitney Museum of American Art

“Looking at Mars, this imagined space, reflects most humans back to Earth.”—MPA

Gagosian Gallery

German artist Andreas Gursky, known to hold the highest auction result for any living photographer, dissects the raison d’être of photography, depicting realities embedded in unrealistic settings.

Koenig & Clinton

In his multifaceted body of work that investigates prevailing modes of representation in contemporary art, Our November cover artist Brandon Lattu questions the dynamics between the work and the audience.

Bureau

Brooklyn-based artist later removes the canvas from its support to re-stretch it back in an alternative position. 

David Zwirner

“Her primary focus, as well as an abiding feel for form and placement, seems to be display: how things are presented to us, as offerings, gifts, rituals of animal attraction. Looking at art, we often forget that we are animals too.”

Luhring Augustine

Scenes from Western Culture / Architecture and Morality

Word Light

Callicoon Fine Arts

Capturing these cellular-free landscapes employing a method traditionally used for making circuit boards, Hoff, whose previous works included experiments with computer viruses or jammed printers, both scrutinizes and celebrates rituals of communication—and blockage.

Metro Pictures

Wisteria, Mysteria, Hysteria at Metro Pictures will be followed by a performance series titled Performances at The Kitchen in January in collaboration with composer Sergei Tcherepnin.

Lehmann Maupin

Chinese artist Liu Wei emerged in his country’s then-bourgeoning art scene in the mid-90s.

The new issue of #artspeaknyc is out now!

Pick up your copy from select galleries or newstands in the New York City.

Elizabeth Dee Gallery

In its new uptown location, the gallery presents Every Future Has a Price: 30 Years After Infotainment, reenacting a thirty-year-old exhibition conceptualized at East Village’s Nature Morte gallery in 1982, but never shown in the city.

Feuer/Mesler

“The fact that I have a vagina allows me to paint it however I want, because it’s mine. I’m highlighting it through abstraction.”

Alexander Gray Associates

"In Iran, we didn’t have any experiences except memories, and from time to time, instances of time and reality to make sure the rest is all memories.”