Koenig & Clinton
In his multifaceted body of work that investigates prevailing modes of representation in contemporary art, Our November cover artist Brandon Lattu questions the dynamics between the work and the audience.
Julia Rommel
Bureau
Brooklyn-based artist later removes the canvas from its support to re-stretch it back in an alternative position.
Carol Bove
David Zwirner
“Her primary focus, as well as an abiding feel for form and placement, seems to be display: how things are presented to us, as offerings, gifts, rituals of animal attraction. Looking at art, we often forget that we are animals too.”
Ragnar Kjartansson
Luhring Augustine
Scenes from Western Culture / Architecture and Morality
Word Light
James Hoff
Callicoon Fine Arts
Capturing these cellular-free landscapes employing a method traditionally used for making circuit boards, Hoff, whose previous works included experiments with computer viruses or jammed printers, both scrutinizes and celebrates rituals of communication—and blockage.
Paulina Olowska
Metro Pictures
Wisteria, Mysteria, Hysteria at Metro Pictures will be followed by a performance series titled Performances at The Kitchen in January in collaboration with composer Sergei Tcherepnin.
Matthew Brandt
Yossi Milo Gallery
River and Sky is L.A.-based artist Matthew Brandt’s third solo exhibition at Yossi Milo Gallery. Before the exhibition opens on November 3rd, our editor Osman Can Yerebakan talked with Brandt about his process-heavy photography practice and his upcoming exhibition.
Liu Wei
Lehmann Maupin
Chinese artist Liu Wei emerged in his country’s then-bourgeoning art scene in the mid-90s.
artspeak nyc november
The new issue of #artspeaknyc is out now!
Pick up your copy from select galleries or newstands in the New York City.
Every Future Has a Price: 30 Years After Infotainment
Elizabeth Dee Gallery
In its new uptown location, the gallery presents Every Future Has a Price: 30 Years After Infotainment, reenacting a thirty-year-old exhibition conceptualized at East Village’s Nature Morte gallery in 1982, but never shown in the city.
Loie Hollowell
“The fact that I have a vagina allows me to paint it however I want, because it’s mine. I’m highlighting it through abstraction.”
Siah Armajani
"In Iran, we didn’t have any experiences except memories, and from time to time, instances of time and reality to make sure the rest is all memories.”
Jonathan Meese
“I exhume to consume. My body is the reactor in a huge rubbish-recycling-experiment of leaden world and intoxicated images.”
Pipilotti Rist
Swiss artist’s immersive hallucinatory video installations, often times projected at grand scales to cover entire interiors, gloriously blend technological means and phantasmagoric fluxes of color.
Kerry James Marshall
Met Breuer
While African American experience, with its social, political, and cultural implications, remains the core of Marshall’s stunning body of work, the portrait of human condition on global scale is what the painter seeks to address.
Mark Leckey
MoMA PS1
Turner Prize winner Mark Leckey emerged during the YBAs boom of the ‘90s when Damien Hirst, Tracey Emin, and Chapman Brothers took the scene by storm— and while digital technology was making its entry into artist studios.