Marc Strauss
For this project, Jinsu Han repurposes redundant materials from collected the space and divorces them from their utilitarian aspects. Jong Oh’s sculptures, including string, Plexiglass, tiny chains and weights, on the other hand are described as “ethereal, ephemeral, and considered”.
“I’m very interested in communication and the way information passes—which is also a form of communication, in a way, but also what is left over. I don’t delete any messages or emails. Papers, even”
“I don’t like art to look brand new, nor ‘of its time’ really, because then it dates and goes to look tired.”
Team Gallery
“My work is about material pleasure. My work is about a miraculous thrill. I get there through color and through form and the coalescence of line and shape and texture and material.”
Jack Hanley Gallery
“I just wanted to make the most basic thing I could think of. It’s a very democratic food; it’s not exotic at all”.
If you were struck by Black Friday, Sophia-Al Maria’s first American museum exhibition still on view at The Whitney, wait until you see Positive Pathways (+), GCC’s installation-heavy New York tenure which includes the namesake sculpture first shown at the Berlin Biennale this summer.
“Yes, they are abstract, but there is always a feeling that something is happening, rather than a Rothko.”
Solomon R. Guggenheim Museum
“You think it would be easy to discover what is blinding you, but it isn’t so easy. It’s pride and fear that cover the mind.”
Spanning the entire 10th floor, the sculptural installation includes glass-blown vases full of pastel colored food pigments used to dye pills in the most recent HIV medication.
